The track "Wedding Party", used during the wedding of Felix Leiter to Della Churchill, makes reference to the track "Jump Up" from the first Bond film, Dr. Though the song was a top ten R&B charter and a minor pop hit for LaBelle, in 1992, the song was covered by and became a much bigger hit for singer Céline Dion. The end credits of the film feature the song " If You Asked Me To" sung by Patti LaBelle. The music video of " Licence to Kill" was directed by Daniel Kleinman, who later took over the reins of title designer from Maurice Binder for the 1995 Bond film, GoldenEye.Īll the instrumental tracks are amalgams of various sequences and musical cues from the film rather than straight score excerpts. Uniquely, the credits for the song (writers and performer) are not included in the opening titles. The version used in the movie itself was edited to 2 minutes 53 seconds. At 5 minutes 13 seconds it is the longest Bond theme, though 45 single releases featured a shorter edit, running 4 minutes 11 seconds. The song was composed by Narada Michael Walden, Jeffrey Cohen and Walter Afanasieff, based on the "horn line" from Goldfinger, which required royalty payments to the original writers. The prospect, however, fell apart and Gladys Knight's song and performance was chosen, later becoming a Top 10 hit in the United Kingdom. A track purporting to be the unused Clapton/Flick theme was uploaded to the music sharing website SoundCloud in January 2022 and was later confirmed to be genuine. The guitar riff heard in the original recording of the theme was played by Flick. The theme was said to have been a new version based on the " James Bond Theme". This time Bond gets mad after a close friend (David Hedison) from the intelligence sector is assassinated on his wedding day, and 007 goes undercover to link the murder to an. Initially Eric Clapton and Vic Flick were asked to write and perform the theme song to Licence to Kill. By 1989 and the release of Licence to Kill, James Bond had a lot of competition in the action genre.With so many higher-profile contenders (like Batman) in the arena, 007s popularity hit an all-time low. Licence to Kill Timothy Dalton's second and last shot at playing James Bond isn't nearly as much fun as his debut, two years earlier, in the 1987 The Living Daylights. The soundtrack to Licence to Kill, the 16th Eon Productions James Bond film, was released by MCA Records in 1989.īecause the usual James Bond composer John Barry (who had scored almost every film from From Russia with Love onwards) was not available at the time as he was undergoing throat surgery after suffering a rupture of the esophagus in 1988, the soundtrack's more upbeat and suspenseful score was composed and conducted by Michael Kamen.
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